Jamian Juliano-Villani, Bolero Boys, 2022. Oil on canvas 48 x 72 ”(121.9 x 182.9 cm)

Mike Kelley, Carpet #2, 2003. Acrylic on carpet, mounted on wood panel 40.2 x 49 x 4 ”(101.9 x 124.5 x 10.2 cm)

Jamian Juliano-Villani, B is for Bentwood, 2022. Oil on canvas 72 x 108 ”(182.9 x 274.3 cm)

Jamian Juliano-Villani, B is for Bentwood, 2022. Oil on canvas 72 x 108 ”(182.9 x 274.3 cm)

Jamian Juliano-Villani, Running of the bulls #1, 2022. Oil on canvas 77 x 53 ” (195.6 x 134.6 cm)

Jamian Juliano-Villani, Historical Editing, 2022. Oil on canvas 60 x 48 ”(152.4 x 121.9 cm)

Mike Kelley, Unitled (Christian Drama/Thursday Night), 1993. Felt banner 94 x 144 ”(238.8 x 365.5 cm)

Mike Kelley, Extracurricular Activity Projection Reconstruction # 30 (Pitchfork Maeurvers), 2005. Piezo print on rag paper and chromogenic print 60 x 40” (152.4 x 101.6 cm)

Jamian Juliano-Villani, Billy Joel Volumes I & II, 2022. Inkjet on acrylic, motor, custom mount 46.5 ”Diameter (118.1 cm)

Jamian Juliano-Villani, Billy Joel Volumes I & II, 2022. Inkjet on acrylic, motor, custom mount 46.5 ”Diameter (118.1 cm)

Jamian Juliano-Villani, The End (group #1), 2022. Acrylic on canvas 20 x 16 ”(50.8 x 40.6 cm) 5 separate canvases

Mike Kelley, Extracurricular Activity Projective Reconstruction #17 (Hearthrob Split), 2004. Piezo print on rag paper and chromogenic print 60 x 40 ”(152.4 x 101.6 cm)

Mike Kelley, Satanic/Pagan Indoctrination, 1995. Collage on paper. 14 x 11”( 35.6 x 27.9 cm)

Jamian Juliano-Villani, A fucking lice killing machine, 2022. Oil on canvas 62 x 91 ”(157.5 x 231.1)